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You've selected:
Singing Men, Vol. 6
Sheetmusic to print
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1
Singing Men, Vol. 6
Choral
Arranged by Various. Singing Men Series. General Worship, Sacred. Octavo. 84 pages. Ho…
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Arranged by Various. Singing Men Series. General Worship, Sacred. Octavo. 84 pages. Hope Publishing - Digital #8811DP. Published by Hope Publishing - Digital
By Various Writers.
Eight classic hymns by Various Writers Here is the 6th volume in our successful series of settings for men's choirs. Included are nine top-sellers composed and arranged for TTBB voices. A CD of Orchestral Accompaniment tracks is available for rehearsal and performance. Arrangers include Joel Raney, Mark Hayes, Mary McDonald, Jack Schrader and Doug Wagner.
$14.95
13.95 €
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Choral
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Singing Men, Vol. 6
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Hope Publishing - Digital
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SheetMusicPlus
Sight-singing exercises for two-part choirs vol. 1C - Compound meters
Choral SATB
Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.782809 Composed by Nichol…
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Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.782809 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3516751. Published by Nicholas D Palmer (A0.782809). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers.These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses.This volume contains 20 exercises, using common rhythmic patterns in 6/8, 6/4, and 9/8, with some exercises in 12/8, and then 5/8 and 5/4. Volume 1A includes only longer note values, B introduces eighths and sixteenths, and D will introduce melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing.If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmerwww.nicholaspalmer.comnicholasdpalmer@gmail.com
$9.99
9.32 €
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Choral SATB
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Nicholas Palmer
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Sight-singing exercises for two-part choirs vol. 1C - Compound meters
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Nicholas D Palmer
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SheetMusicPlus
Sight-singing exercises for two-part choirs vol. 1A - quarters, halves, wholes
Choral 2-part
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.782807 Composed by Nicholas …
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Choral Choir (SA) - Level 1 - Digital Download SKU: A0.782807 Composed by Nicholas Palmer. Instructional. Octavo. 24 pages. Nicholas D Palmer #3507649. Published by Nicholas D Palmer (A0.782807). The purpose of this series of sight-singing exercise books is to give choir directors supplemental materials with which to strengthen the reading skills of singers. These exercises may be used in a variety of ways, starting with unison choir, then two part, then switching parts, etc… to maximize the exercises’ content. No texts are provided, so that the singers may use neutral syllables to focus on tone, or solfege, numbers, or rhythm syllables, depending on the system the teacher uses. This volume contains the first 10 exercises of Volume 1, and then 10 more exercises that use only longer note values. Since Volume 1 also covers eighth note and sixteenth note rhythms and some compound meters, I decided to provide a volume with only the longer note values and then restructure the collection in the following way: in each series of volumes, A includes only longer note values, B introduces eighths and sixteenths, C introduces compound meter, and D introduces melodic minor.Volume 1 (ABCD)- Diatonic Seconds Volume 2 (ABCD) - Diatonic ThirdsVolume 3 (ABCD) - 1-5-1, octave leapsVolume 4 (ABCD) - FourthsVolume 5 (ABCD) - FifthsVolume 6 (ABCD) - SixthsVolume 7 (ABCD) - SeventhsVolume 8 (ABCD) - Chromatic intervalsIn general, the exercises give some direction for articulation, dynamics, and tempo. Though these are optional, the more notation detail the singers pay attention to, the greater their skill will be in reading all the notation on the page. In some cases, vagueness in these instructions leaves opportunities for singers to decide how to articulate, what tempo might be appropriate, and how loud or soft to sing. If you discover any errors, please notify me, and then give your singers a chance to figure out what the error is! Nick Palmer www.nicholaspalmer.com nicholasdpalmer@gmail.com
$9.99
9.32 €
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Choral 2-part
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Nicholas Palmer
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Sight-singing exercises for two-part choirs vol. 1A - quarters, halves, wholes
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Nicholas D Palmer
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SheetMusicPlus
Twelve Hymn Preludes and Offertories for 4-part Brass Ensemble, Volume 2
Brass Quartet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 4 - Digital Downloa…
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Brass Quartet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1409469 Composed by Various. Arranged by Ran Whitley. Christian,Easter,Praise & Worship,Religious,Spiritual. 157 pages. Gordon Cherry #992098. Published by Gordon Cherry (A0.1409469). Ran Whitley has compiled and beautifully arranged Twelve Hymn Preludes and Offertories for 4-part Brass Ensemble (Just FOUR Brass), Volume 2. These beautiful hymns are playable by most performers of intermediate level and higher. Each hymn is a complete arrangement on its own. The entire collection of twelve hymns contains almost 40 minutes of music of glorious Christian music appropriate for many different occasions.The twelve hymns from Volume 2 are amongst the most famous of the Christian liturgy:1. Come, Thou of Every Blessing2. Only Trust Him3. Morning Has Broken4. Come, Ye Thankful People, Come5. Sweet Hour of Prayer6. Lift Every Voice and Sing7. Come, Christians, Join to Sing8. The Lone, Wild Bird9. Christian Hearts in Love United10. Thine Is the Glory11. Mine Eyes Have Seen the Glory12. My Country, 'Tis of TheeInstrumentation for the quartet is for 2 Trumpets in B-flat and two Trombones. There are 4 substitute parts for parts 2 and 3 in B-flat treble and for F Horn, plus a Tuba part 8ba on the 4th part. You can perform these works with a massed brass ensemble very successfully.Optional repeats are included for congregational singing.
$30.00
27.99 €
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Various
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Twelve Hymn Preludes and Offertories for 4-part Brass Ensemble, Volume 2
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Gordon Cherry
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SheetMusicPlus
For Children, Volume 2: 6. Rondo: The Old Witch's Sons, 7. Song of the Rogue
Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1302250 Composed by…
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Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1302250 Composed by Béla Bartók (1881–1945). Arranged by Richard Giszczak. Children,Classical,Folk,Multicultural,World. Individual part. 3 pages. Singing Winds Music Company #891855. Published by Singing Winds Music Company (A0.1302250). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is a transcription of piano music by Béla Bartók adapted to the range and tonalities of a carillon. The shorter pieces are grouped together. The pieces in Volume 2 are based on Slovakian Folk Songs.
$2.00
1.87 €
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Béla Bartók
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For Children, Volume 2: 6. Rondo: The Old Witch's Sons, 7. Song of the Rogue
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Singing Winds Music Company
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SheetMusicPlus
Nunc tempus acceptabile Now Is the Time Acceptable
Choral 3-part
SSA choir (a cappella) - Moderately Difficult - Digital Download SKU: MQ.50-3150-E …
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SSA choir (a cappella) - Moderately Difficult - Digital Download SKU: MQ.50-3150-E Composed by Paul M. French. Ash Wednesday, Lent. Instrument parts. 6 pages. MorningStar Music Publishers - Digital Sheet Music #50-3150-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-3150-E). A tenth-century text for Ash Wednesday and Lent, composed for treble voices. The unison, chant-like opening unfolds into three-part harmony, and the harmonic movement, at first simple and transparent, becomes more involved and expressive, reaching into a higher register for all three parts. The final Amen brings this Lenten prayer to a quiet conclusion. In Latin with singing English translation.
$2.25
2.1 €
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Choral 3-part
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Paul M
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Nunc tempus acceptabile Now Is the Time Acceptable
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
March of the Women
String Quartet: 2 violins, viola, cello
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.6…
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.697166 By Dame Ethel Mary Smyth. By Dame Ethel Mary Smyth. Arranged by Felix Linsmeier. Classical,Romantic Period,Traditional. Score and parts. 6 pages. Felix Linsmeier #305759. Published by Felix Linsmeier (A0.697166). Ethel Smyth (1858-1944) is one of the most important female composers of the romantic era. After studying in Leipzig she became involved with the suffragette movement. Her March of the Women was the anthem of the women's social and political union. When she once got imprisoned for protests, she conducted a suffragette choir - singing this march outside - from her cell window... holding a toothbrush!
$15.99
14.92 €
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String Quartet: 2 violins, viola, cello
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Dame Ethel Mary Smyth
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March of the Women
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Felix Linsmeier
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SheetMusicPlus
The Strife Is O'er (Choral Score)
Choral SATB
Congregation, SATB choir, and organ, with optional brass quartet or quintet and timpani (I…
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Congregation, SATB choir, and organ, with optional brass quartet or quintet and timpani (Instrumental Parts include: Trumpets I and II in B-flat and C, Horn in F (substitute for Trombone I), Trombone I and II, opt. Tuba, Timpani) - Moderately Easy - Digital Download SKU: MQ.60-4019-E Composed by Robert J. Powell. Easter, Easter Season. Instrument parts. 6 pages. MorningStar Music Publishers - Digital Sheet Music #60-4019-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-4019-E). English.A bright concertato setting of this powerful Easter hymn. The piece begins with dialog between the brass and the choir, then immediately involves the congregation. The congregation sings in unison while the choir augments the singing with parts. A choral stanza, then a final stanza with congregation and descant serve as the conclusion to this very useful setting.
$2.25
2.1 €
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Choral SATB
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Robert J
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The Strife Is O'er
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
The Singing Guitar
Guitar notes and tablatures
Guitar, Fingerstyle guitar - Advanced Intermediate - Digital Download Composed by El …
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Guitar, Fingerstyle guitar - Advanced Intermediate - Digital Download Composed by El McMeen. Arranged by El McMeen. Gospel, Sacred, Folk, Celtic, Americana. 264 pages. Published by Ellsworth McMeen
Internationally acclaimed guitarist Ellsworth ("El") McMeen has done over 220 solo fingerstyle guitar arrangements and compositions in the last 30 years. He has numerous recordings, books,
and DVD lessons and has concertized throughout the United States.
Of his work, he has selected for this voluminous book
60 pieces with his favorite melodies. (Among them is an instrumental
he composed for his wife, called "Song for Sheila.")
The music is diverse in genre and mood, but each piece is compelling in its own way.
Included are folk tunes, a classical piece, hymns, a patriotic song,
ancient Celtic harp music, lullabies, El's favorite Christmas song
("In the Bleak Midwinter"), El's favorite Irish jig ("The Kid on the Mountain"),
laments, love songs, and Irish airs.
El is included in the Digitaldreamdoor listing of the 100 Greatest Acoustic Guitarists.
https://tinyurl.com/GreatestGuitarists Several of his recordings are referenced here:
https://elmcmeen.bandcamp.com/
The audio sampler contains all or part of the following selections, in the CGDGAD tuning
except as otherwise indicated. (When El has recorded some of this music, he has used a capo,
usually at fret II or IV, for tonal atmosphere.)
1. America the Beautiful
2. Be Still, My Soul
3. Be Thou My Vision
4. Carolan's Concerto
5. Carolan's No. 179
6. Come, Thou Long-Expected Jesus
7. Give Me Your Hand
8. Hector the Hero
9. In the Bleak Midwinter
10. Jerusalem (Drop D)
11. Jesu, Joy of Man's Desiring
12. Kid on the Mountain
13. My Mary of the Curling Hair
14. Niel Gow's Lament for the Death of His Second Wife
15. Rose of Allendale
16. Song for Sheila
$35.00
32.65 €
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Guitar notes and tablatures
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El McMeen
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The Singing Guitar
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Ellsworth McMeen
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Choral TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.72 €
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Choral TTBB
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Arlo Guthrie
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Eleanor Rigby
3 Clarinets (trio)
Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.9534…
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Clarinet Trio,Woodwind Ensemble Bass Clarinet - Level 3 - Digital Download SKU: A0.953438 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 6 pages. RayThompsonMusic #559177. Published by RayThompsonMusic (A0.953438). Arranged standard clarinet trio.3rd part cold be played by bass clarinet to give more depth to the music. Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with Yellow Submarine. The song was written primarily by Paul McCartney and credited to Lennon–McCartney. The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, Eleanor Rigby broke sharply with popular music conventions, both musically and lyrically. Richie Unterberger of AllMusic cites the band's singing about the neglected concerns and fates of the elderly on the song as just one example of why the Beatles' appeal reached so far beyond the traditional rock audience. YouTube Link is clt quintet version.
$14.99
13.98 €
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3 Clarinets (trio)
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The Beatles
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Eleanor Rigby
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RayThompsonMusic
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SheetMusicPlus
Eleanor Rigby
Flute Trio: 3 flutes
Flute Trio,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.953440 By T…
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Flute Trio,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.953440 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Pop. 6 pages. RayThompsonMusic #559179. Published by RayThompsonMusic (A0.953440). Arranged flute trio. Eleanor Rigby is a song by the English rock band the Beatles from their 1966 album Revolver.It was also issued on a double A-side single, paired with Yellow Submarine. The song was written primarily by Paul McCartney and credited to Lennon–McCartney. The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, Eleanor Rigby broke sharply with popular music conventions, both musically and lyrically. Richie Unterberger of AllMusic cites the band's singing about the neglected concerns and fates of the elderly on the song as just one example of why the Beatles' appeal reached so far beyond the traditional rock audience. YouTube Link is clt quintet version.
$14.99
13.98 €
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Flute Trio: 3 flutes
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The Beatles
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Eleanor Rigby
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RayThompsonMusic
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SheetMusicPlus
Believe
Piano solo
Piano Solo - Level 4 - Digital Download SKU: A0.733619 By Josh Groban. By Alan Silv…
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Piano Solo - Level 4 - Digital Download SKU: A0.733619 By Josh Groban. By Alan Silvestri and Glen Ballard. Arranged by Amy J. Snyder. Contemporary,Pop. Score. 6 pages. Amy J. Snyder #6195719. Published by Amy J. Snyder (A0.733619). Believe, from the hit Christmas movie The Polar Express is a beautiful song sung by the great Josh Groban. This arrangement is for advanced intermediate piano solo. It begins very simply, with R.H. chimes on the intro. Key of E Major, helpful fingering included. Great piece for Winter recitals, Christmas party entertainment, or singing around the piano with friends and family. Written by Alan Silvestri and Glen Ballard. Arranged by Amy J. Snyder. Visit Amy at https://www.facebook.com/amyjsnyder7 If you like this arrangement, check out Amy's other Christmas arrangements such as When Christmas Comes to Town , White Christmas, Have Yourself a Merry Little Christmas, Mary Did You Know, Noel, That's Christmas to Me, I Heard the Bells on Christmas Day, and more! Copyright © 2004 Joblana Music, Universal Music Corp., Hazen Music and Arlovol Music All Rights on behalf of Joblana Music Administered by Sony/ATV Music Publishing LLC, 424 Church Street, Suite 1200, Nashville, TN 37219 All Rights on behalf of Hazen Music Administered by Universal Music Corp. All Rights on behalf of Arlovol Music Administered by Penny Farthing Music c/o Concord Music Publishing International Copyright Secured All Rights Reserved.
$5.25
4.9 €
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Piano solo
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Josh Groban
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Believe
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Amy J. Snyder
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SheetMusicPlus
Monteverdi - The Fourth Book of Madrigals (Complete)
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.767215 Composed by Claudio Mont…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.767215 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 307 pages. Lyons Music Services #3087101. Published by Lyons Music Services (A0.767215). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. All 20 madrigals are here: 1. Ah! Dolente Partita – Oh, Sweet Parting!2. Cor Mio Mentre Vi Miro – My Heart as I dream I turn into you. 3. Cor Mio Non Mori? E Mori – My heart did not die? And it died4. Sfogava con le stelle – He dallied with the stars 5. Volgea l' anima mia – Volgea my soul, so dear and sweetly shining 6. Anima mia perdona – My soul forgives 7. Che se tu se ' il cor mio – That if you are as good as my heart 8. Luci Serene e Chiare – Lights, serene and clear 9. La piaga c'ho nel core – The plague is in the heart 10. Voi pur da me partite – You do not mind me, though 11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes 12. Ohime se Tanto Amate – Alas! If you like it too much 13. Io Mi Son Giovinetta – I’m a young girl, laughing and singing 14. Quel Augellin Che Canta – That little bird that sings 15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyes 16. Si Ch'io Vorrei Morire – How I want to die 17. Anima Dolorosa – Suffering soul that lives so much pain and torment 18. Anima Del Cor Mio – My soul’s heart 19. Longe da Te Cor Mio – Stay away from me 20. Piagne e Sospira – He drinks and sighs Parts are supplied to suit flexible brass or wind (or both) quintets as follows:Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)
$125.00
116.6 €
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Brass ensemble
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Claudio Monteverdi
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Monteverdi - The Fourth Book of Madrigals
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Lyons Music Services
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SheetMusicPlus
Bella Ciao - Clarinet Quartet (score & parts)
Clarinet Quartet: 4 clarinets
Composed by Italian traditional. Arranged by Francesco Leone. Folk, Recital, Patriot…
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Composed by Italian traditional. Arranged by Francesco Leone. Folk, Recital, Patriotic. Score, Set of Parts. 26 pages. Published by Glissato Music Publishing
Arrangement for Clarinet Quartet (intermediate) by Francesco Leone.
Score & Set of parts (6): Bb Soprano Clarinets 1-3 and Bb Bass Clarinet, included Eb Alto Clarinet instead Bb Clarinet 3, optional drums.
Style: Balkan. Duration: 3.30. Key concert: G min. - A min.
"Bella ciao" ("Goodbye beautiful") is an Italian protest folk song that originated in the late 19th century, sung by the mondina workers in protest to the harsh working conditions in the paddy fields of North Italy. The song was modified and adopted as an anthem of the anti-fascist resistance by the Italian partisans between 1943 and 1945 during the Italian Resistance, the resistance of Italian partisans against the Nazi German forces occupying Italy, and, during the Italian Civil War, the Italian partisan struggle against the fascist Italian Social Republic and its Nazi German allies. Versions of "Bella ciao" continue to be sung worldwide as an anti-fascist hymn of freedom and resistance.In 2017 and 2018, the song received renewed popularity due to the singing of "Bella ciao" multiple times in the Spanish television series Money Heist. The character Tokyo recounts in one of her narrations, "The life of the Professor revolved around a single idea: Resistance. His grandfather, who had fought against the fascists in Italy, taught him the song and he taught us."The song is played in emblematic moments in the series as a metaphor for freedom.
$16.99
15.85 €
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Clarinet Quartet: 4 clarinets
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Italian traditional
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Bella Ciao - Clarinet Quartet
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SheetMusicPlus
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